Saturday, February 18, 2017

Needles and things

This past week saw the neighborhood craft club meeting at my house.  Some folks in the club had shown an interest in learning needle felting, and Easter is coming, so I thought I would break out the supplies for covering foam Easter eggs.  Since my past decorations are still up in the attic, I spent some craft time this week working on an example for the "class".  I pulled my supplies out of the art room, set out a few examples of the sculptures I've made, and put out way too many snacks.

I made little felted Yodas for Marsbarn and K2 a couple years ago, and still hadn't made one for myself, so I took the opportunity to make a wee Yoda last week as an example piece.  I also added flat panel needle felting to the mix, and picked up a stack of square wool felt sheets of various colors and made an example to show.
The owl and gnome home were completed in the past, I made the spotted egg and daisy during the craft club meeting.

Six people from our club were able to attend, and 5 made eggs.  They all seemed to enjoy it, and the creations they made were very cool and all very different, lots of swirls, one with large multi-colored polka dots, one with overlapping layers of thin color that gave it a very surreal swirly look.  I wish I'd thought to get a photo of everyone's work put together but I was too distracted with fun conversation to have thought about it at the time. 

I've finished putting the hanging sleeve on my sea turtle wall hanging, and that will be put up on the walls this weekend, as soon as everyone is awake enough for me to start hammering nails into walls.

I've found myself to be too scattered to remember what is going on with my photography, it seems that I have too many projects going at once and without a physical item to set down, I forget where I last left off.  I'd made a note to myself that I wanted to convert some images to black and white, but failed to update the note. Last week I spent some time going through my images to pick some to convert, only to find that some already had, however I converted some in Lightroom and others in Photoshop.  I cannot remember which method I preferred, nor why I would have stopped one and switched to another.  I watched a tutorial to see if yet a third method might be better than the other two, but that method seemed incredibly more complicated than it needed to be, and after having watched it I realized it was for an older version of the software, and at this point seems obsolete to me (since the tools offered in both PS and LR are superior now).  Then, after investing those hours into this, I was poking around on my portfolio and discovered that I'd already uploaded finished B&W images, and just hadn't completed publishing the albums yet.

I suppose that is the result of squeezing projects in when I have an extra half hour here and there, rather than working on anything steadily for a good amount of time?

I'll have to go back and try both methods of converting B&W to remind myself which method I really preferred, then I really need to write that down on my notes page.  The weather has turned back to rain, so that seems like a good thing to tackle this weekend. 

Saturday, February 11, 2017

Packing Christmas and more photography

I  missed last week's update due to my work schedule invading my normally quiet Friday morning.  Yesterday I had a migraine and napped through my blog time, so here I am... coffee in hand on Saturday.

Roughly 17 years ago I got it in my head that I would have an expansive Christmas village for the holidays, and I would - of course - paint all the individual pieces myself.  The original "plan" had been to pick up one new building a year, paint it over Thanksgiving weekend, and add it to the village.  A couple years into the project, the company making my brand of houses went out of business, so I bought up all that I could at the craft store.  Then I found leftover inventory online, so I bought that too.  Some years I manage to paint a new whole piece, some years I can only sneak in a small villager to add... most years I start the pieces prior to Thanksgiving with the intention of adding them for the season, but they end up sitting to the side until New Years due to travel or gift projects taking up time... or both.  This year was both, plus we traveled for New Years, so my partly-done village pieces were not completed until the end of January.  Upon confirming the final coat of gloss was dry on the pieces last weekend, I set to work to pack them up... failing to get a photo of the 5 villager pieces that I painted this year.  For what it's worth, here is my 17 year old village as of this season (minus the 5 new additions, which I'll have to photograph next year)

The train is a new addition this year.  It is not to scale, and it is made of plastic instead of plaster, but they were on sale at the local craft store and I couldn't resist.  We haven't set up the big train set in years, and I enjoy a bit of choo-choo whimsy over the holidays.

In sewing, I'm nearing the end of my sea-turtle wall hanging which I'd started last spring, just stitching the sleeve to the back now and it will be ready to hang (once I buy a dowel for it)  I have not made it to a neighborhood craft club meeting in nearly a year, December's was scheduled on a band concert night, and January was cancelled due to the hostess getting a stomach flu.  I am hosting this month, and a fellow crafter has asked to learn needle felting so I'm currently working on a couple of examples for that night.  This - and the Christmas village delay - has helped me to procrastinate on the epic bird quilt plan of mine, however just this morning I'm thinking I might pull out the fabric for the embroidered squares and begin cutting those down to size.

I have managed to make good progress in photography.  I've caught up on editing/uploading the random "in between long vacation" DSLR photos that I've collected over the past couple of years.  I was a harsher critic on myself this time, which is especially difficult when it comes to the bird photos.  I have many "snaps" of birds which I enjoy only because of the species of bird in the shot, but in terms of a piece of art on the wall, they are not that great.  Cutting out the shots that I was emotionally attached to in that way, and only posting what I thought were also good compositions, greatly reduced the volume I had to upload.  I've also meandered through my growing backlog of uploaded images and reduced or removed many images that I now look back on and have decided are not up to par.  Perhaps someday I'll scale back a larger portion of the site - things I shot on the older lower MP camera - but for now I see little harm in leaving the older stuff up.

We had snow last week, and as I had some film to burn in my Graflex pinhole, I decided to set it up near my bird feeders and take some long exposures.  Calculating the exposure for snow was tricky, I took several meter reads off of surrounding mid-tone objects, made my calculations, and took 30-45 second exposures.  The best image out of the lot was this:
This is heavily cropped in, though I set the camera up at the edge of the porch it captured quite a lot more landscape than I wanted.  There are 3 birds which stood still long enough to show up on the film, although there were about 8 birds fluttering through this image throughout the exposure.

The first half of the roll of film were the shots I'd exposed in January during our visit to Fort Worden.  I'm very happy with this shot for several reasons:
I'm happy with the composition of this shot.  I knew I needed to get closer to my subject with this camera, and I managed to do just that, the camera was wedged between the boulders right at the water's edge.
I aimed the camera down and put the sky's horizon line right along the top of the view finder, figuring the film plane would end up capturing more than I could see, and I was correct.  
I timed the exposure to capture one good wave coming up over the rocks, which gave me the white ghostly mist over the dark boulders, but smoothed out the otherwise rough water.
I calculated the exposure correctly - always a challenge!

And lastly... when I loaded the film I turned the dial an extra half turn before setting the film counter - this did give the lab enough film to load without fogging my first frame, but I still had plenty of space at the end of the roll for the last frame.

I am itching to get out and get more shots with this camera, but the weather lately is working against me.  I'm not opposed to heading out in misty/soggy conditions myself, but given the age of this camera I don't want to risk damage to it.  So for now, I have to be patient.

Friday, January 27, 2017

Getting Low

This week's project post is about my tripod, and my ability to (finally!) get down to ground level.

I have a lovely Gitzo series 1 traveler tripod - (GT1544T) I bought this for the light weight and low profile.  It is expensive, but worth it.  Also, the center post is removable and the legs can spread out to get to ground level.  With the center post, this is about as low as it can go.

The legs can spread out further, but with the center post it'll only go about another 2 inches down.

At the time of purchase, I didn't realize I'd need a "ground level kit" to get it down to ground level. The center post is easy to remove, just unscrew the bolt/hook from the bottom of the post, and pull the post out.  But then you are left with an empty center pole and no bolt on the top to mount a head. Once I realized this, I started poking around for the kit online and found it to be priced around $100 - reviews complained that you don't get much for the money... (this is it)

Take out the center post, replace it with this bolt/disc combination.
... so I thought I'd wait for a coupon, or to see if the price would come down.

By the time I had a sale coupon to use, the ground level kit was difficult, if not impossible, to find.

I checked back around the internet every few months with no further luck, the price came down but it was perpetually "out of stock, check back".  Last week I found it on Adorama "In stock online, may take 1-2 days to process" and the price was down to about $55, so I ordered it.

Almost immediately my order went to "backordered" status, even though the website still showed it to be in stock.  

In the meantime, I was researching my tripod online to see if there might be an alternative way to get lower.  I researched spare parts and discussions pertaining to the Series 1 traveler. The center post can actually be reversed - once you take the bottom bold and center post out, simply put it back in upside down... then your hook/bolt is on the top and the camera mount disc is on the bottom.  But shooting this way is impractical and not as stable as being on a platform. Still, I thought I would try to set it up that way, and in removing the bolt/hook, I realized that it looked awfully familiar...

Huh... that hook/bolt part looks a lot like the "ground level kit", just without the disc on top.

I wondered if I could remove the top disc from the center post and just connect it directly, but alas the top disc does not have a threaded bolt underneath it to connect directly to the hook/bolt.

Back to the internet, to seek out a replacement disc.  B&H photo had this:
Gitzo GS1320D Series 1 Aluminum Adapter Disc for Center Column
The Gitzo GS1320D Series 1 Aluminum Adapter Disc for Center Column is used to attach a head to the bottom of Gitzo series 1 tripods with threaded center columns. It features a reversible 1/4"-20 and 3/8"-16 stud for camera mounting, and is an ideal solution for upgrading to the latest version of aluminum discs and bolts.

The description does NOT indicate that this can be used to make the tripod work at ground level.  In fact, I think the description means to say that you can use it to attach a camera to the bottom of the center post - as in... instead of the hook that is already there.  Or maybe I am supposed to remove the current disc from the top of the center post and replace it with this one so that the center bolt can be reversed?  It is unclear to me.  However at a glance it looked like this could work with the hook/gasket part that I already had.  And at about $35, it was worth it to order it just to check it out.

This is how it comes, the center bolt can flip over depending upon which size you need.  The smaller side is actually two sizes of thread, 

By flipping the bolt so that the smaller side was down, I was able to put the hook/bolt part underneath the center and screw it into the disc on top

Leaving the larger threaded side on the top to connect my ball head to

and now the tripod goes all the way to the ground, and the ball head can tilt to any angle necessary to get the shot.  Also, this disc is larger than the original or the "ground level kit", which makes it even more stable.

In my review of the product on B&H, I suggested that they include this capability in their description of the disc, as I'm sure I can't be the only one out there with a Series 1 Tripod trying to remove the center post.  Had this been in the description a few months ago I would have bought it immediately!

My Adorama order, by the way, was till on Backorder so I had to email them to cancel it.  When I checked back this morning, the "ground level kit" part was labeled as "temporary backorder" instead of "in stock".  

Monday, January 23, 2017

Graflex Pinhole Lessons

Last August I took a Girl's Weekend road trip with my daughter while my husband entertained some buddies of his at our house.  G and I picked a few new spots on the Olympic Peninsula to visit, and while I had intended to do an entire post just on that trip, my family events overwhelmed my time.  Suffice it to say here, we found a few lovely spots - Cape Flattery, the Hall of Mosses in the Hoh Rainforest, and the Tree of Life in Kalaloch - which we intend to go back and visit again in the future.  Maybe I'll find time to do a trip report later, but for the time being let me just insert a piece of advice: Port Angeles is an excellent "home base" in which to explore this region, however it is very difficult to find a decent meal west of Port Angeles, so pack picnic food in your car accordingly.

I bring this trip up because it was my first real outing with Clunky, the converted Graflex pinhole, and I'm starting this post with a shot from that trip.

This is the Cave Tree, also called the Tree of Life, in Kalaloch Washington.

With this roll of film I feel that I managed to get the exposure correct.  It was a difficult shot to meter due to the rolling fog and misty conditions, but I concentrated on the bark of the roots.  The framing needs work, though.  I use the viewer on the top of the camera (it's a little rectangular optic that is supposed to let you aim without using the glass plate on the camera) however it seems to  show more of the ground than what I recall framing with the viewer.

Fast forward to my New Years trip to Kauai... which also happens to be the next time I used Clunky.  Having had 4 full months between usage, I lost a lot of my mental process notes.  Thankfully I had decided to pack some Kodak Ektar 100 speed film for it.  Originally I decided this because I thought the sunshine would be so bright that I would need a lower speed film than my Ilford 400.  

My first outing with Clunky was during our walking tour of the McBryde gardens on the south end of Kauai.  The day was overcast and parts of the gardens were thick with trees, so I loaded Ilford 400 first.

This is the straw hut in the McBryde gardens, which is admittedly my main inspiration for wanting to go to these particular gardens.

This session started in a frustrating way.  I hadn't gone over my process notes prior to the trip, or even prior to the drive to the gardens, and once I was on location I felt somewhat overwhelmed by the circumstances.  I expected most of the garden to have paved paths, but it was mostly dirt paths which were muddy from recent rains.  The day was mostly lovely, but had passing rain showers which made me anxious about my equipment.  I forgot the thin hiking towel I normally bring to set my gear down on, so I could only put my bag down in red mud.  It was hot and muggy once the rain showers passed.  The mud and the rain made me feel clumsy, and I felt D and G were ready to move on before I could even properly set up my tripod.  
They were very patient with me, but as I lined up my shot I couldn't help but feel I was forgetting something.  That "something" (I later realized) was that I wasn't lining up the shot with the viewer on the top of my camera.  It is difficult to miss it, but somehow I just looked past it.  I did have a vague recollection that the camera tended to aim low, but even so I didn't seem to correct it as much as I thought I was.  This is the only shot I got of the hut where I didn't cut the roof off.

Oh, and also, I didn't compensate for reciprocity failure.  For the whole trip.  I only remembered that part of the process when I was on the flight home.  *facepalm*  

First lesson:  I need to write down my process for each camera, laminate the card, and carry it with me.  This camera shoots lower than what I am aiming at, and I need to keep that in mind when I frame my shot.

A few days later we headed to a sunny beach, so I used the last of the B&W roll then loaded some Kodak Ektar 100.

Lesson 2 - color film goes to the lab.  The lab processes on a C-41 machine, which means they need to pull a bit of the film out to attach it to the card that pulls it through the machine.
Every color roll has the first frame partially exposed like this.

This is something I possibly *could* have anticipated if I had thought back to my years at the photography studio, however that was a long time ago, and those camera backs gave us enough space on the end of the roll to load the film.  My Graflex back lines up the first shot practically on the edge of the roll of film, and leaves about an inch of space on the other end.
The simple fix is roll the film a little further when loading, prior to setting the film exposure counter dial on the top.  This is a step to add to my process notes.  I've decided I will also expose my first shots twice, just in case they get a little crazy with pulling the film out to load it into the C-41.

This is a shot that had been badly exposed on the edge.  I can still get a square format out of it, and sadly I only took one shot of this view so this is all I have, but I would have loved a full size image of this scene.

Lesson 3: I think I prefer color out of this camera more than black and white.

As convenient as it is for my impatience to get the (relatively) instant gratification of developing my own B&W film at home immediately after shooting... the effects of the long exposure in color are so much more enjoyable to me.  I have some wave photos I shot in black and white, but they just end up looking sort of blurry.  The color in this shot shows the undertone of blue beneath the white foam from the water lapping over the rocks, and the hint of warm sand in the thinnest parts of the waves.  It gives it almost an impressionist feel.

I've scanned all my film from the trip and edited down my favorite shots.  Towards the end of the trip I started feeling like I was doing more deliberate composing, but in retrospect I feel like the timing of my shots was still a little poke-and-hope.  I was calculating the exposure time, but I wasn't thinking about what the exposure length was going to do to the shot.  This last beach scene makes me realize that I really love the effect of the 5 second exposure, the waves are smoothed but still show motion.  And in hindsight I realize... this doesn't have to be poke-and-hope... I have the capability with my DSLR to set up the shot, calculate the exposure, then change my DSLR settings to the same exposure length and take a digital shot so that I can get an idea of how the movement might play on film.

So: I need to make notes on loading and exposure process.  Shoot the first scene twice, just to be safe.  Color film is preferable to show motion.  Test shot on the DSLR to get an idea of movement.

Monday, January 09, 2017

Long Overdue Update - brief interruption of happy posts

My resolution last year was to use this blog to talk about things that bring me joy, which largely centers around photography, birding, and crafts.  I was doing OK with it for the first 8 months of the year.

A few days after my last post, however, my mom passed away.  It was sudden, but not entirely unexpected, but devastating to me nonetheless.

August was spent traveling to Oregon, being with family, and mourning in my own secluded ways.

September was spent preparing for her memorial service.

October began with her service, and continued my own mourning while dealing with the post-memorial feeling of "what do I do now?"

November brought on the holidays, which overwhelms me anyway, but was particularly challenging this year as my family and I navigated our celebrations with my mother's absence for the first time.

Over the years I've lost some significant people in my life, and with each passing I've felt my own priorities shift.  My mother's passing was a monumental loss, and as I've slowly emerged from a grief that will probably never fully subside, I've felt those priority shifts from the past take an even firmer hold on me.

Life is too short to spend it with hurtful, toxic people, meaningless, time-wasting distractions, and invented drama.  As I have gradually shifted away from these things I have found myself to be living a more fulfilling and happier existence.  Now, more than ever, I'm determined to stay this more positive course.